'Into the Wild/as You Like It\r'

'Texts may lay out us that a comprehend of be can emerge from connections made with people, places and the big world. To what extent do the texts you have examine support this idea? ‘Happiness is wholly real if shargond’. This insightful restate from Sean Penn’s 2007 film Into the risky shows that whatever sense of belong must leapulate by means of connection we make with others and the wider world. Shakespe ar’s play As You kindred It too demonstrates this, and shows that belong is a natural understanding and one fundamental to a meaning(prenominal) vitality.\r\nThe labelting of As You exchangeable It plays a crucial role in geological formation the idea of belonging in the play. exchangeable the typical pastoral, the beginning of the play is set in court, a place establish as a hub of corruption and policy-making tension. Orlando’s ho persona is described as a ‘butchery’ as his blood brother plots to kill him, ‘[Rosalind] is banish’d’, and Duke senior calls courtly life ‘painted eclat’. The gang of images suggests estrangement and non belonging. By contrast, Arden is a free, untainted setting where characters be able to develop relationships without conforming to laid social constraints.\r\nAlso, the transition from the high density of formal verse in the orifice guessworks to the more frequent practise of prose, signifying acceptation and familiarity, towards the end pay chokes this transition from tension and non belonging to unity. This harmonious ending is epitomized in the final scene in which ‘these eightsome…take hands’. That the characters do form relationships there in which they belong is a clear indication that belonging is an connatural part of the gentleman condition. In essence, through and through the natural setting of the play, Shakespe ar emphasises that belonging is a natural state of humanity.\r\nSim ilarly, Into the Wild contains pastoral elements that contribute to belonging in the film. identical the ‘painted pomp’ of the court in As You Like It, Penn portrays society as ‘oppressive’, employing dark metaphors of warfare to reinforce this; fence-posts are ‘black sword-tips’ and red tiles ‘ determined blood’. The dinner scene is muted, with the use of shaky hand-held camera express the tension and estrangement. By contrast, the wilderness acts as a catalyst for belonging in which he realizes the significance of onnections with people to rejoicing. each scenes of him in the wild are crevice in rich natural light, as opposed to the exaggerated florescent lighting apply in the civilized scenes. This contrast in lighting suggests that both Arden and the wild are places of healing where characters learn about the disposition of belonging and the importance of connections. As You Like It shows that belonging can raise throug h connections with others. There are many a(prenominal) ship canal to be accepted and Shakespeare reflects this in his use of diverse characters.\r\nRosalind takes a more sensible, existent approach than Orlando, stating that ‘men have lastd from season to time…but not for fill in’. Orlando is much more the petrachan lovemakingr, vowing to ‘live and die’ her slave. Celia and Oliver’s relationship is a more spontaneous connection, ‘whoever loved that loved not at first sight? ’ whereas bar and Audrey simply see marriage as a natural part of life ‘as the ox has his bow, so nuptials does come nibbling’. The contrast between these couples unite with the comedic ending shows that belonging can bring up through variety of relationships and connections.\r\nThe Rainbow search too demonstrates that belonging can arise from a variety of relationships. The angle depicted in the book are of different shapes and sizes, and are even joined intermittently by other creatures; a star look for, an octopus, a shark, suggesting implying a diversity of connections that can lead to belonging. Also, the Rainbow fish’s scales are a combination of all the act upons of the other monochromatic fish. Through this Pfiser is implying that we have something in universal with everyone, and so connections with others are not special(a) to a certain type.\r\nThe correlation between connections with people and belonging is perhaps seen almost intelligibly in As You bid It through the contrast between Rosalind and Jacques, the broody melancholic. Shakespeare juxtaposes the two characters to make the point that belonging arises primarily from connections. Where Rosalind has many friends such as her ‘dear coz’ Celia, Orlando and Touchstone, Jacques is alone and friendless, reveling in his melancholy which he ‘loves better than laughing’.\r\nHe chooses not to belong, symbolized in his refusal to partake in the final dance, despite being beseeched by the Duke to ‘stay, Jacques, stay! ’ Where Jacques rejects connections in favor of ‘ subject field to be heard and learned’, Rosalind embraces them, and as a result is the happier, more complete character. Shakespeare’s use of contrast clearly shows that belonging, and hence cheer, is an intrapersonal phenomenon. In many ways, Chris of Into The Wild mirrors Jacques.\r\nHe refuses to belong, striving after Platonic ideals similarly to how Jacques seeks learning. He explicitly says that ‘ sort of than love…give me truth’, paralleling Jacques choice for knowledge over belonging. Unlike Jacques however, he regrets his decisions towards the end, seen through the director’s use of the diary to convey his thoughts. In an extreme close up, he writes ‘ lonely(prenominal)’ slowly and deliberately, and underlines it to highlight the intensity of his public opinion of isolation. The music is sad and haunting, emphasizing his regret over his alienation.\r\nFurther to this, the final scene consists of a series of rapid flashbacks word-painting characters with which he formed relationships. The voiceover is in moment person ‘what if I were smiling and raceway you’re your arms? ’, with the use of the conditional tense highlighting his regret at his rejection of connections. This use of voice over have with positive cumulative images ending in a still shot of Chris, suggests that our sense of belonging is important to both gratification and a sense of self. Like Chris, the Rainbow Fish ultimately realizes the value of belonging.\r\nInitially he was a character like Jacques; when offered by the others to ‘come join in’ he would glide past, ‘proud and silent’. However, in the end he chooses to share his ‘shimmering scales’, a recurring motif symbolizing love and friendship . This transition from isolation to belonging is besides emphasised by the positioning of the fish in the book. On the first page, he is depicted alone in the centre, with his back to the other fish. As he learns to belong, he begins to turn towards others, eventually ending baptismal font to face as he gives outside the first scale.\r\nHis change of attitude is similarly reflected in the shift in colour scheme, from cooler hues of blue to warmer purples. This suggests happiness and love, again implying that a sense of belonging is vital to happiness. Both As You Like It and Into the Wild show that belonging may, and does, arise out of the connections we make with other people. These connections are a natural part of the human condition and can take many shapes and forms, but they are essential to happiness as it is a shared phenomenon.\r\n'